There is a fascinating chapter toward the end of Alexis de Toqueville’s Democracy in America titled “What Kind of Despotism Do Democratic Nations Have to Fear?” in which the author attempted something truly extraordinary – to describe a social condition which humankind had never before encountered.
There is a fascinating chapter toward the end of Alexis de Toqueville’s Democracy in America titled “What Kind of Despotism Do Democratic Nations Have to Fear?” in which the author attempted something truly extraordinary – to describe a social condition which humankind had never before encountered.
The current exhibition of Eugène Delacroix (1798-1863) at New York’s Metropolitan Museum of Art – the first of its kind to be mounted in North America – is indeed an extraordinary revelation.
From the beginning, Donald Trump’s administration has been marred by corruption and outright contempt for the rule of law – with the president’s firing of FBI Director James Comey “because of the whole Russia thing” and persistent efforts to undermine Robert Mueller’s Russia probe; with his refusal to divest himself of private businesses, his attacks on judges who rule against him, and much else besid
The Jewish Museum in New York City is currently presenting the work of Chaim Soutine (1893-1943), featuring just over thirty paintings by one of the most distinctive and significant artists of the early twentieth century. Focusing on still life paintings, of which he was a master, "Chaim Soutine: Flesh" includes his vigorous depictions of various slaughtered animals - of beef carcasses, hanging fowl, and game.
The English-born Thomas Cole (1801-1848) is arguably America's first great landscape painter - the founder of the Hudson River School, the painter who brought a romantic sensibility to the American landscape, and sought to preserve the rapidly disappearing scenery with panoramas that invoke the divinity in nature.
